Some cool sexy cars and girls images today:
IMG_7816
Image by K . Chan
Tags:Cars, Cool, girls, images, Sexy, today
Sunday, February 23, 2014
Cool Sexy Cars And Girls images today
Tags:Cars, Cool, girls, images, Sexy, today
Saturday, February 22, 2014
Car_GTO
Some cool car girls images today:
Car_GTO
Image by Joey Newcombe
Website | Facebook | Twitter | Tumblr
2011 NEC Classic Car Show DSC_2314
Image by tonylanciabeta
2011 NEC Classic Car Show
Tags:Car_GTO
Sabrina Damiano
A few nice muscle car girls images I found:
Sabrina Damiano
Image by Eva Rinaldi Celebrity and Live Music Photographer
Summernats Festival delivers Canberra cars, music, girls, tourism dollars and more
The 25th Summernats festival reved up things for Canberra again today as it continued on with parade of show cars.
It wasn’t just about cars as event co-owner Andy Lopez told the press. It was more about entertainment and a more family atmosphere, but make no mistake – it was mainly about the cars…and a good dose of loud music – as if the roar of the engines wasn’t enough to burst your eardrums (earplugs are provided upon entrance to the festival – satisfying OH&S regulations).
Event numbers are understood to be up this year, approaching 90,000, up at least 10,000 from the last Summernats Festival.
Mr Lopez said "People are going to get see something really terrific…two hundred cars in convoy, beautifully managed, well presented, a complete range of all the types of vehicles that Summernats has to offer and I think pretty much the community is excited about it."
Canberra has had a bit of a love – hate relationship with Summernats over the years, but this year there was plenty of love to go around. There were loads of car lovers, even love-mobile muscle cars, and of course the Ms Summernats competition – and not to be outdone, Fever Australia girls gave the Ms Summernats young ladies a run for the money with photographers and news crews.
No, there were not any riots and a good number of police and event organisers were quick to defuse any potential incidents before they started.
New co-owner Andy Lopez, who purchased Summernats said it’s another sign the event has turned a corner.
"This isn’t a choir convention, but at the same time we’re not like a gathering of satanists either," he said.
"Ninety-nine-point-nine per cent of people that go to Summernats are there because they love what the event is about and if there is anyone else who is looking to cause trouble then we’re going to deal with it."
Mr Lopez, originally had little interest in cars, said 2012 is shaping be the most successful Summernats yet.
"We want this to be the premier street machine, modifier event in the world," he said.
"We’ll have 1200 people watching our burnout competition and that’s something you can’t do anywhere else in the world.
"If you win the summernats burnout competition, you are the undisputed champion.
"That’s what we want the Summernats to be about."
Summernats attracts many of the nations most talented motor and mechanical craftsmen, artists and all matter of other folks who are in the business of hotted up cars. They also attract news media from from across the country – and this year its been mainly positive, with the festival being pro active to remove the more troublesome aspects of years gone by. The festival also adds a much needed boost to the ACT economy, with nightclubs, hotels and restaurants all reporting business definitely being up since the car-show hit down.
Some of our favourite aspects of Summernats 2012 included:
The burnouts – big congratulations to Peter and Debbie Gray (burnout masters and celebrated husband and wife team).
Miss Summernats contestants – Canberra local Sabrina Damiano, 25, who took out the Miss Summernats honours this year from a field of 14 contestants.
Show N Shine – car enthusiasts shinned up their toys and showed them off to thousands of adoring fans
Radio Revhead – great show put on by John McCoy-Lancaster and special guest in from Utah 1060AM U.S – J.C Hackett
The music – rockin with the massively talented Heaven The Axe (fronted by Phoebe, who is a bit of a Joan Jet – Angus Young (AC/DC) hybrid in our estimation. Phoebe and her crew absolutely rock and they reved up a storm at the Jim Beam Bar
Unexpected attendance by SBS entertainers / actors Rob Shehadie and Tahir (from Fat Pizza fame)
Body ink comp and display
Sidcrome tools display
The super cool personalised number plates which accompanied all show-cars
Top 60 finalist (car) show
A big thank you to Tom and the media crew for being so helpful, and to the other great people who worked so hard to make this years event such a massive success.
It’s not too late to enjoy Summernats – it runs through to the 8th, and you don’t have to be a rev head to enjoy it. Get your set of wheels and join in the action, and please drive safely.
Websites
Summernats
www.summernats.com.au
Street Machine
motoring.ninemsn.com.au/streetmachine
Heaven The Axe
www.heaventheaxe.com
Sidrome
www.sidchrome.com.au
Rob Shehadie official website
www.robshehadie.com
Tahir official website
www.tahir.com.au
DBC2
www.dbc2.com.au
Music News Australia
www.musicnewsaustralia.com
Eva Rinaldi Photography
www.evarinaldi.com
Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography
Media Man News
www.mediamannews.com
Tags:Damiano, Sabrina
Sharon Jones Dap Kings Gov
Some cool hot cars for girls images today:
Sharon Jones Dap Kings Gov
Image by PeterTea
Sharon Jones was born Sheron Lafaye Jones in Augusta, Georgia on May 4th 1956. Her mother moved to Brooklyn soon thereafter, however Jones was sent down south for a few months every year to stay with her family. As a child, she and her brothers would imitate the songs and dances of James Brown, who shared their hometown. She began performing in church at a very young age where her voice would find a lifelong home and inspiration. As a teenager in the early nineteen seventies, she began singing outside of the church in talent shows and with local funk groups. Later she would make her living with a combination of sporadic session work as a mostly anonymous voice on various dance records (sometimes credited as Lafaye Jones), singing with wedding bands, and a handful of day jobs which included stints as both a prison guard at New York's notorious Riker's Island, and an armored car guard for Wells Fargo Bank. In 1996 she was called in to sing back-up at a Desco Records studio session for 70's soul legend Lee Fields.Desco was a small independent specializing in traditional funk and soul pressed exclusively to wax. As the other two girls never showed up for the session, Jones cut all the background parts for the session herself, and proceeded to cut the impromptu prison rap over Switchblade, which had originally been intended for a man. Ironically, that rant (slowed down to make it sound like a man) would be her first outing as a featured artist on a record. .Over the next four years, Jones sang frequently alongside Lee Fields, Joseph Henry, and Naomi Davis as part of the Desco Super Soul Revue backed by Desco house band the Soul Providers. Desco would release a handful of singles in her name including The Bump & Touch, Damn It's Hot, and You Better Think Twice as well as versions of funk classics I Got the Feelin' and Hook & Sling. Guitarist Binky Griptite, would remain at Mann's side as well as organist Earl Maxton, percussionist Fernando 'Boogaloo' Velez, trumpeter Anda �! �Goodfoot' Szilagyi and Baritone saxophonist Jack Zapata (AKA Martín Perna, who would go on to form Brooklyn afrobeat collective Antibalas) all from the original Soul Providers. From the Mighty Imperials, a young instrumental organ funk group that recorded at Desco, Tenor saxophonist Leon Michels (who would later leave the group to form the El Michels Affair as well as his own label, Truth & Soul) and drummer Homer 'Funkyfoot' Steinweiss would fill out the line-up. Both were only 17 years-old at the time. Now for the first time, the group would be billed as Sharon Jones ; the Dap-Kings.In 2001, Dap Dippin' with Sharon Jones & the Dap-Kings would be Jones's first full length recording. Though few hundred copies were pressed to sell on the road, it would take several months and the birth of a new record label before Dap-Dippin' would be commercially released.In late 2001, saxophonist Neal Sugarman, whose organ driven Sugarman Three combo had given Desco two of its most prominent releases, and Gabriel Roth, Desco's head recording engineer, joined together to form Daptone Records. With the intention of continuing on where Desco had left off, Daptone's debut release would be the Dap-Dippin' album.Over the next three years, Sharon Jones & the Dap-Kings would tour extensively and build steadily upon a growing reputation as the unrivaled frontrunners of old-school Soul and Funk music. The trumpet chair passed from Szilagyi to Todd Simon, and was eventually filled by David Guy. Maxton left the band in 2003 to play with Antibalas, leaving the band with no organ, and guitarist Tommy 'TNT' Brenneck, of the Budos Band, would take up the slack in the rhythm section.By the time they returned to the studio in 2004, the Dap-Kings roster read like a veritable who's who of the day's Soul and Funk scene, most of whom were bandleaders in their own right. Countless gigs had molded the rhythm section into a redoubtable juggernaut on the bandstand, and the combination of Sugar! man, Guy,! and Hendrickson-Smith in the horn section was fierce. Behind the ever-increasing power and stage presence of Jones, the band was becoming a force to be reckoned with.In 2003, Daptone Records had relocated to a dilapidated two family house in Bushwick, Brooklyn. Naturally hit the streets and set Jones and the Dap-Kings loose on a relentless touring schedule. Fueled by rave reviews of both their new record and the blistering live show, record sales and concert attendance began rising across the country, and as the band began to tour more frequently overseas, international markets soon followed suit. By 2006, audiences in Europe, Canada, and Australia were packing venues to see Sharon Jones & the Dap-Kings.A high point came when Daptone Records presented a Soul Revue at New York's Irving Plaza (Fillmore East) to honor Jones' 50th birthday.
Sharon Jones Dap Kings Gov
Image by PeterTea
Sharon Jones was born Sheron Lafaye Jones in Augusta, Georgia on May 4th 1956. Her mother moved to Brooklyn soon thereafter, however Jones was sent down south for a few months every year to stay with her family. As a child, she and her brothers would imitate the songs and dances of James Brown, who shared their hometown. She began performing in church at a very young age where her voice would find a lifelong home and inspiration. As a teenager in the early nineteen seventies, she began singing outside of the church in talent shows and with local funk groups. Later she would make her living with a combination of sporadic session work as a mostly anonymous voice on various dance records (sometimes credited as Lafaye Jones), singing with wedding bands, and a handful of day jobs which included stints as both a prison guard at New York's notorious Riker's Island, and an armored car guard for Wells Fargo Bank. In 1996 she was called in to sing back-up at a Desco Records studio session for 70's soul legend Lee Fields.Desco was a small independent specializing in traditional funk and soul pressed exclusively to wax. As the other two girls never showed up for the session, Jones cut all the background parts for the session herself, and proceeded to cut the impromptu prison rap over Switchblade, which had originally been intended for a man. Ironically, that rant (slowed down to make it sound like a man) would be her first outing as a featured artist on a record. .Over the next four years, Jones sang frequently alongside Lee Fields, Joseph Henry, and Naomi Davis as part of the Desco Super Soul Revue backed by Desco house band the Soul Providers. Desco would release a handful of singles in her name including The Bump & Touch, Damn It's Hot, and You Better Think Twice as well as versions of funk classics I Got the Feelin' and Hook & Sling. Guitarist Binky Griptite, would remain at Mann's side as well as organist Earl Maxton, percussionist Fernando 'Boogaloo' Velez, trumpeter Anda �! �Goodfoot' Szilagyi and Baritone saxophonist Jack Zapata (AKA Martín Perna, who would go on to form Brooklyn afrobeat collective Antibalas) all from the original Soul Providers. From the Mighty Imperials, a young instrumental organ funk group that recorded at Desco, Tenor saxophonist Leon Michels (who would later leave the group to form the El Michels Affair as well as his own label, Truth & Soul) and drummer Homer 'Funkyfoot' Steinweiss would fill out the line-up. Both were only 17 years-old at the time. Now for the first time, the group would be billed as Sharon Jones ; the Dap-Kings.In 2001, Dap Dippin' with Sharon Jones & the Dap-Kings would be Jones's first full length recording. Though few hundred copies were pressed to sell on the road, it would take several months and the birth of a new record label before Dap-Dippin' would be commercially released.In late 2001, saxophonist Neal Sugarman, whose organ driven Sugarman Three combo had given Desco two of its most prominent releases, and Gabriel Roth, Desco's head recording engineer, joined together to form Daptone Records. With the intention of continuing on where Desco had left off, Daptone's debut release would be the Dap-Dippin' album.Over the next three years, Sharon Jones & the Dap-Kings would tour extensively and build steadily upon a growing reputation as the unrivaled frontrunners of old-school Soul and Funk music. The trumpet chair passed from Szilagyi to Todd Simon, and was eventually filled by David Guy. Maxton left the band in 2003 to play with Antibalas, leaving the band with no organ, and guitarist Tommy 'TNT' Brenneck, of the Budos Band, would take up the slack in the rhythm section.By the time they returned to the studio in 2004, the Dap-Kings roster read like a veritable who's who of the day's Soul and Funk scene, most of whom were bandleaders in their own right. Countless gigs had molded the rhythm section into a redoubtable juggernaut on the bandstand, and the combination of Sugar! man, Guy,! and Hendrickson-Smith in the horn section was fierce. Behind the ever-increasing power and stage presence of Jones, the band was becoming a force to be reckoned with.In 2003, Daptone Records had relocated to a dilapidated two family house in Bushwick, Brooklyn. Naturally hit the streets and set Jones and the Dap-Kings loose on a relentless touring schedule. Fueled by rave reviews of both their new record and the blistering live show, record sales and concert attendance began rising across the country, and as the band began to tour more frequently overseas, international markets soon followed suit. By 2006, audiences in Europe, Canada, and Australia were packing venues to see Sharon Jones & the Dap-Kings.A high point came when Daptone Records presented a Soul Revue at New York's Irving Plaza (Fillmore East) to honor Jones' 50th birthday.
Sharon Jones Dap Kings Gov
Image by PeterTea
Sharon Jones was born Sheron Lafaye Jones in Augusta, Georgia on May 4th 1956. Her mother moved to Brooklyn soon thereafter, however Jones was sent down south for a few months every year to stay with her family. As a child, she and her brothers would imitate the songs and dances of James Brown, who shared their hometown. She began performing in church at a very young age where her voice would find a lifelong home and inspiration. As a teenager in the early nineteen seventies, she began singing outside of the church in talent shows and with local funk groups. Later she would make her living with a combination of sporadic session work as a mostly anonymous voice on various dance records (sometimes credited as Lafaye Jones), singing with wedding bands, and a handful of day jobs which included stints as both a prison guard at New York's notorious Riker's Island, and an armored car guard for Wells Fargo Bank. In 1996 she was called in to sing back-up at a Desco Records studio session for 70's soul legend Lee Fields.Desco was a small independent specializing in traditional funk and soul pressed exclusively to wax. As the other two girls never showed up for the session, Jones cut all the background parts for the session herself, and proceeded to cut the impromptu prison rap over Switchblade, which had originally been intended for a man. Ironically, that rant (slowed down to make it sound like a man) would be her first outing as a featured artist on a record. .Over the next four years, Jones sang frequently alongside Lee Fields, Joseph Henry, and Naomi Davis as part of the Desco Super Soul Revue backed by Desco house band the Soul Providers. Desco would release a handful of singles in her name including The Bump & Touch, Damn It's Hot, and You Better Think Twice as well as versions of funk classics I Got the Feelin' and Hook & Sling. Guitarist Binky Griptite, would remain at Mann's side as well as organist Earl Maxton, percussionist Fernando 'Boogaloo' Velez, trumpeter Anda �! �Goodfoot' Szilagyi and Baritone saxophonist Jack Zapata (AKA Martín Perna, who would go on to form Brooklyn afrobeat collective Antibalas) all from the original Soul Providers. From the Mighty Imperials, a young instrumental organ funk group that recorded at Desco, Tenor saxophonist Leon Michels (who would later leave the group to form the El Michels Affair as well as his own label, Truth & Soul) and drummer Homer 'Funkyfoot' Steinweiss would fill out the line-up. Both were only 17 years-old at the time. Now for the first time, the group would be billed as Sharon Jones ; the Dap-Kings.In 2001, Dap Dippin' with Sharon Jones & the Dap-Kings would be Jones's first full length recording. Though few hundred copies were pressed to sell on the road, it would take several months and the birth of a new record label before Dap-Dippin' would be commercially released.In late 2001, saxophonist Neal Sugarman, whose organ driven Sugarman Three combo had given Desco two of its most prominent releases, and Gabriel Roth, Desco's head recording engineer, joined together to form Daptone Records. With the intention of continuing on where Desco had left off, Daptone's debut release would be the Dap-Dippin' album.Over the next three years, Sharon Jones & the Dap-Kings would tour extensively and build steadily upon a growing reputation as the unrivaled frontrunners of old-school Soul and Funk music. The trumpet chair passed from Szilagyi to Todd Simon, and was eventually filled by David Guy. Maxton left the band in 2003 to play with Antibalas, leaving the band with no organ, and guitarist Tommy 'TNT' Brenneck, of the Budos Band, would take up the slack in the rhythm section.By the time they returned to the studio in 2004, the Dap-Kings roster read like a veritable who's who of the day's Soul and Funk scene, most of whom were bandleaders in their own right. Countless gigs had molded the rhythm section into a redoubtable juggernaut on the bandstand, and the combination of Sugar! man, Guy,! and Hendrickson-Smith in the horn section was fierce. Behind the ever-increasing power and stage presence of Jones, the band was becoming a force to be reckoned with.In 2003, Daptone Records had relocated to a dilapidated two family house in Bushwick, Brooklyn. Naturally hit the streets and set Jones and the Dap-Kings loose on a relentless touring schedule. Fueled by rave reviews of both their new record and the blistering live show, record sales and concert attendance began rising across the country, and as the band began to tour more frequently overseas, international markets soon followed suit. By 2006, audiences in Europe, Canada, and Australia were packing venues to see Sharon Jones & the Dap-Kings.A high point came when Daptone Records presented a Soul Revue at New York's Irving Plaza (Fillmore East) to honor Jones' 50th birthday.
Tags:Jones, Kings, Sharon
Cool Hot Girl Car images today
Some cool hot girl car images today:
Stunt-Mini-Wheelie-Circle-Leg
Image by Joey Newcombe
Bike-Stunt-Parts
Image by Joey Newcombe
Tags:Cool, girl, images, today
Cool Asian Car Girls images today
Friday, February 21, 2014
DSC_0910
A few nice hot cars with girls images I found:
DSC_0910
Image by Studio5Graphics
Grid Girls Kris and Pinky part 1 with a delorian
Tags:DSC_0910
